11 juin 2007
Symbolic analyze of the church Notre-Dame of Belleville
While
arriving in front of the church, on the principal gate, we realize
immediately that energies are importants in this place.
This
church was built under the influence of Humbert III, lord of Beaujeu,
who was a templar. Who knows the history of these men knows that the
sybolism was familiar for them. A Celtic cross in top of the Western
frontage shows us the druidic influence in that moment when we enters the sanctuary. In the church, on the pavement of the
northern absidiole, a templar cross.
Southern doors
The two doors were inside the cloister.
The
first that we find shows, on the top of the pillar, a bifid siren. She is androgyne, male half, female half, and makes us understand that
it is necessary to be able to maitrise the antagonist sides to benefit of the energy of the place. Bifide, it
indicates the presence of two water currents crossing under the
building. The tail does not touch the ground, it goes up towards the
sky, and the siren holds it in its hands: reversal, maitrise, approaching God, permitted by present energies.
The
second, in the foot of the southern bell-tower, shows us a monkey.
Its mouth leave foliated scroll, symbol of the verb. The monkey represents
usually the animal part of the man, that which is needed maitriser. The
verb, it is creation. Would the man, as an animal, be a also creator?
With
the top of the door, on the lintel, three sheets of palm, resembling by
their form scallops. Belleville is on one of the ways to Compostelle.
The pilgrims knowing the language of the birds, knew that this door
opened the initiatory course of the church, that which makes it
possible to receive transforming energies.
We
find, under the church, the artificial water currents. They are 7,
in NORTH-SOUTH direction, and pass under the pillars of the nave, for
each chakra. The Jordan passes between the pillars of the western
frontage and the first pillars of the nave. Four currents cross on the
level of the chorus. The old well is in the middle of the central
absidiole, that of the cloister in the middle of the current place.
Pillars and their capitals
In
this church, we have a side yin, at the south, and a side yang in
north. This is indicated to us by the pillars holding with the western
frontage, one with a capital presenting of the musicians, and the other
of the warriors.
We are not yet in the sanctuary, but a first energy stage passed, indicated by dischargers. The Jordan runs under our feet.
Then
we advance towards the pillar representing the first chakra. A
monster holds in its mouth a character, androgyne also, symbol of our
instincts which are needed maitriser. The character tightens the arms
towards the chorus of the church, the eyes are open . The monster has
4 teeth, for the matter, the ears quite open in order to hear, like the
character.
Opposite,
plants have their sheets turned to the bottom, energies did not allow
rise yet. A wolf indicates the beginning of the way, the interior
advance.
Then
we find the pillar of the second chakra . The eagles are still
deadened, the folded up wings, the head looking at the ground. Their
legs are posed on the circle representing the matter.
Opposite,
the snake-vouivre is held in the mouth of the man, the woman listening
to what it has to say. We enter the true sanctuary.
The
pillar of the solar chakra presents tied plants to us, but starting to
be turned over. The man, the head in bottom, begins his reversal.
Opposite, a monkey. It must still work to be left the matter. The
telamones show us the various stages to be followed for the reversal:
arms still turned towards the ground, then raised to the sky, my feet
in the matter, then with the top.
The
pillar of the chakra of heart introduces to us a man with closed
eyes. It listens to its interior being. The pine cones, symbol of the
interior richness, are there to confirm. The plants are turned upwards.
On
the pillar of the chakra of throat, a man bores his tongue with a
knife. In the explanations usually given, it is about the lie… But we
are in the communication, in the expression. The cut or mutilated tongue indicates that we must keep the secrecy and silence. We
learn while listening and while looking at, not while speaking.
Opposite, two birds drinking in the same chalice. A leg left the ground, the wings are deployed. We approache.
The
pillar of the frontal chakra presents the bell ringer of horn to us.
It expresses its opinion and passes in an oscillatory mode.
Opposite, the head of bull, symbol of the maitrized terrestrial forces, memory of Mithra. We are on an important energy door.
The
pillar of coronal chakra represents a musician who blows in an
instrument where 9 holes are visible. 4 fingers below, 4 fingers above:
stability in energies.
It
is where we find the important dischargers, with a broken line under
them. Energy is powerful. It is the first time that I see thus
represented energy according to the pillar, arriving in dischargers
where it is dispersed, maintaining the building in an energy balance
which, if it were not respected, would make collapse the building.
The
two following pillars show crowned pigs with opened mouth, from which
energies leave. Recall of wild boars druidic, and the maitrise.
We
find as the trace of the maitres of work, the goose leg, carved at the
base of the pillar, as well as heads of lions, one more “human " than the
other… Who has ears hears. The guard is on this level.
Pillars of the chorus
They
take again the pillars of the chorus of Avenas, the various
representations of chakras, the kundalini and the way of
being useful itself of energies of the church…
Other speaking capitals
Thank you in Serge Barnoux and his book “For dolmens in menhirs” appeared with the editions of the cosmogone.
The virgin of Belleville
The
church of Belleville is devoted to Notre-Dame. A representation of the
virgin, in the form of a black virgin, is in the vault of the southern
absidiole. 
Unfortunately,
the statue is not old. Nowhere trace of a black virgin in this place,
and yet all is joined together for its establishment. The statue makes
its effect nevertheless, even if it does not convey energies due to its
row.
The church Notre-Dame of Belleville
Belleville,
small city of the Beaujolais has a very long history, as flint
tools and other vestiges discovered in various places attest it. As of
the Roman time, Lunna, attested by the route of Antonin who places this
city at 15 miles of Anse and Mâcon, occupies the site of
current Belleville. Lunna, perhaps already worship with the goddess?
This Roman city extended from north at midday along the Roman way which crossed it.
Strong
city, it was devastated at the 5th century by the troops of Attila then
destroyed into 732 by the Moslems of Spain ordered by Abderame.
Rebuilt, it takes the name of Bellavilla at the end of XIth century.
Surrounded by high doubled walls of broad ditches filled with water running, it is the second provostship of the Beaujolais.
The flags carried a salamander in fire on green bottom strewn with flowers of lily with the word “Durabo” (I will last).
Current
weapons of Belleville: “of azure to the money salamander, on a fire of
mouth, the turned over head” are incontestably the heiresses of these
flags and the currency remained.
The church Notre-Dame of Belleville
In
the time of the Crusades, Humbert III, Lord of Beaujeu reign on the
Beaujolais. Party to defend the tomb of Holy Land Christ, it is
recalled by his nearest relative, Pierre the Worthy one, abbot of
Cluny, on the request of his forsaken wife, in prey with covetousnesses
of the close lords.
Constrained
to off-set wish which it had made with the order templars, and in
order to expier this fault, it chooses Belleville to receive the pledge
of his tender and his generosity. He melts a commandery there, then in
1158, a priory about Saint-Augustin, high in 1164 with the row of abbey
by Dreux, archbishop of Lyon which installs there the first prior,
Etienne, prior of Saint Irenee . The church Notre-Dame of Belleville is
the only vestige.
In
1168, the first stone is posed on a gold coin, and eleven years are
enough to raise this imposing monument, devoted to the Virgin in 1179.
It became even before its completion the tomb of its young person
Guichard wire. With its continuation, princes of Beaujeu were buried in
these places. At that time, 30 canons lived in the enclosure of the
abbey, which covered the seventh of the intramural city.
This
pure Roman style gradually left the place to the incipient Gothic,
which one reconnait in the intersecting ribs. Its dimensions are
surprising: 63.33 m length on 17.45m broad and 28.65m of transept.
The
pavement remakes preserve a unevenness of 1cm per meter, which would
seem to translate the effort required to approach Sancta Sanctorum.
The
pillars of cruciform plan are decorated with middle height with carved
consoles. The sculpture was, at the time, the mean of communication for
a population as an illiterate, and quite practical majority to transmit
the message esoteric which must be hidden with the eyes of the enquiry.
To
the base of the chorus, the bays of pure Roman style were condemned
to XIVth century during the rise in the apse in ogival style.
God the Father of representation on the keystone dominates the chorus.
In
the center of the transept, one notices 3 openings at the top of the
vaults. They are intended in the passing of the cords of the bells,
letting suppose that initially, 3 bell-towers were envisaged. Only that
of the south is completed, high of more than 30 meters. That of north
similar and partly was undoubtedly never burned by the huguenots. That
of the center was never built. On the bell-tower, many dischargers are
the sign of a powerful energy being released from the building.
The
frontage forms a regular, simple and noble whole which the gate with
its fore-part embellishes. The remarkable rosette which dominates it is
one of the first carried out and goes back to 1175. 
The
pillars of the 9 spans, cruciform plan, present at middle height
consoles symbolizing the defects and the virtues. (Unless…) At the top
the capitals for the majority are carved of decorative reasons:
foliages, vine branches, flowers, volutes and rinceaux. The weapons of
the Lords of Beaujeu decorate three keystones of the principal nave.
The
Roman chorus, high in XIVth century in ogival style, preserves only
one plank coming from the tombs of the Lords of Beaujeu.
http://alainlarge.free.fr/belleville.html